meow meow kitties

It's that time of the year again: the time when I am in a bunch of gallery shows!  These two pretty kitties are for the Animal Kingdom show at Gallery Nucleus.  It opens this Saturday, February 16!  

It's been a while since I painted some kitties.  You want to know something weird?  I never feel like I really know how to draw a cat.  They're not super complicated, right?  Pointy triangle ears, loopy tail, whiskers.  But when I start, somehow, my drawings are just the most terrible, generic cat shaped blobs you've ever seen.  I tried to make these guys feel specific, and I think I managed it ok.  They're certainly different from any other kitties I've painted.  

They're not meant to be portraits of my actual pets (past or present), since I've never had a medium-haired-kinda-fluffy black cat before.  The gray stripy cat did come out looking like a cat I had named DC.  It stood for "Don't Cuddle me", since she really really hated everything and everyone and especially being snuggled upon.  Sort of like my present cat (who is gray but stripe-less).

The really funny thing about ever making an image with a cat in it is this: there is always someone who will say "OMG, that looks just like MY cat!"  

Is it YOU??

Also, notice how I resisted pink, yet again!

PS, in regards to the unicorn painting: it looks like there WILL BE PRINTS  of it AVAILABLE at the WWA Gallery!  Hooray!  They're not on the site, but I have it on good authority that they will be available at the opening.  

there is just one moon, and one golden sun

....and a smile means friendship to everyone!

This is my piece for the Gallery Nucleus It's a Small World show that opens this Saturday, September 17.  I made a diptych, which is fancy speak for "two paintings that are supposed to go together".  They're both about 10"x20" and acrylic on board.

I wanted it to capture the happy, peaceful, slightly psychedelic feeling that you get from the ride.  I have been on that ride (at Disneyland, and once at Tokyo Disneyland!) a lot of times.  Once, we got stuck inside in the same spot for about 15 minutes, which could easily be obnoxious, but there's so much amazing design to look at that it was actually nice.  Slightly hypnotic, but nice.

Messing with the colors was a lot of fun, and I actually indulged and bought new, non-bargain price paint for this project!  Well, I say "indulged" but most of my paint was pretty much dried up crust in a bottle and not usable.  Plus I've got more gallery shows coming up and I like to be prepared!...or try to be.

Classes at CalArts started today!  I'm teaching a class about making awesome portfolios (a class I wish had existed when I was there).  I'm slightly nervous, more because it's hard to get up in front of people and talk than anything else.  My first class is Friday, so I still have to time to prepare!  I'm going to practice my lecture on my dog.  We'll see how that goes.

Work work work!!

bring your record player

Another painting for the Norman Rockwell show in July!  It is the horizontal sister to the other painting of teenagers.  I took these pictures really quickly and sloppily immediately after I finished it, and then I packed it up and sent it on its way.  

This is my favorite part.  

A portable record player is a good thing to have.  I've got one.  It's not pink though, unfortunately.  

A big gross mess!  I used that brown paper (actually cut up Trader Joe's bags) to wrap up the two paintings.  Recycle and stuff!

I kind of went with a different process for this painting than I did for the other.  I didn't really make an initial sketch, instead I did some little studies and then drew the sketch directly onto the primed board.  Then I scanned it (in pieces...I hate doing that) and did a digital color key.  I always like the way the sloppy color pass looks better than the finished painting.  It has more something.  I'm not sure what.  

I'm not quite as pleased with this one as I was with the other one, but c'est la vie.  I was also in a tremendous hurry to get this one done, and I'm sure that had something to do with it.  Working under pressure is tricky.  Sometimes it forces you to be more awesome in a smaller amount of time, and at the end you are so happy and you feel like you WON!  But other times you can't escape that gross feeling that you really just don't have enough time and what you're trying to do isn't going to happen, and you go into lazy auto-pilot mode.  

In any case, it's time for me to drink an iced coffee, so til next time!

this painting has no name

The finished painting!  I realized as I was writing this post that I haven't yet named it.  I've been trying to stay looser in my paintings, and let go of that holding-your-breath-trying-to-make-it-just-so feeling.  It's bunches more fun if you are not freaked out every time you pick your brush up.

Sorry about the quality of these images.  I don't have a real camera (these are iphone pics) and the painting is too big for my scanner.  Yes I know I could scan it in pieces and all that jazz, but who has time for that?! (I do not...as I type this I ought to be working on something else, but I get excited when I finish something!)

I know you guys like seeing the painting surrounded by the chaos of my table top...

That thing in the upper left corner is my color work book.  I had to paint what felt like a billion swatches of different color combinations, plus shades and tints for each combo, for a painting class I took at city college.  The class itself was pretty useless, but I've kept and used that color work book ever since.  It's a super helpful thing to have, if you  have the patience to make one.  

twelve dancing princesses

My book Twelve Dancing Princesses is out this week, officially, in the world, for you to buy, and love and cherish!

So I thought I'd go back in time to when the book wasn't finished, to when it was barely just started, because it didn't just materialize out of thin air and Photoshop. Like most big projects, it developed in phases and rather slowly. There was lots of sketching and doodling and revising and things that didn't really look like anything that I'm surprised my editor could even understand!

Let's start at the beginning, when I chose what era I ought to place this far away kingdom in. I did NOT want to just do whatever-fantasy-far-far-away-princess-royalty-mashup. I love fashion history, and costumes, so I had to be specific. I liked the idea of doing an 18th century Mary Antoinette fanciful French style, but that has been done, and very beautifully, and one of my own favorite illustrators Kay Nielson, and I can't front Kay. I chose the 1830's-40's, because the kings were dapper, the ladies had big fantastic hoop dresses, and the shoes were appropriately similar to ballet slippers!

See?

I love how GIANT the dresses in that era were! Can you imagine wearing something that big? Everyday? Fitting through doorways in it? Going to the bathroom in it??

I did a few very rough and tumble character designs, for proportion and stuff. All twelve princesses are basically the same princess with different hair and dresses. To design and re-draw and remember all the puny details of twelve separate princesses sounded very not fun to me. It was challenging enough just fitting all twelve into each composition!

Since the story was already written and given the a-okay by my editor, I moved along to thumbnail sketches. They are very rough, and very small: I drew them on 1"x1.5" post-it notes. I did that so that I could doodle a composition and then if I didn't care for it immediately peel it away and draw another one. I went through an enormous stack of tiny post-it's in such a way. The compositions changed very little from what you see here.

This is the whole book in post-its!

I did all the final illustrations in Photoshop. I had to BUY Photoshop, because I had previously had only bootlegged versions of it (from being a student and to be fair, no student can afford that schnazz), and it kept crashing and asking me for serial numbers, and finally just wouldn't open at all. SOOOO expensive, but worth it in the end for a version that actually WORKS. It was a serious crisis for me for about 3 days, back when I was just beginning to work on the final art.

Yes there's like 100 layers, and they are all labeled appropriately. Virgo style.

What I take away from making this book is basically this: I really love making books. I'm beginning work on a new one...but that's for later!